What's New. Information on upcoming reading performance, newly issued books and more. Mariko Kitakubo

Mariko Kitakubo Profile

Mariko Kitakubo

Born in Tokyo.
Living in Mitaka-city, Tokyo
Membership
Japan Writers' Association,
Japan PEN Club,
Association of Contemporary Tanka Poets,
Japan Tanka Poets' Society,
Kokoro-No-Hana,
Tanka Online Project,
Tanka Society of America.

Contemprary Tanka Poet Mariko Kitakubo.
お知らせ

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Ms. Gotani Jana, who has been endeavoring to spread Japanese culture at Clermont-Ferrand in France for many years, posted wonderful report on my tanka reading performance on Octover 9th. I really appreciate it. Ms. Gotani, Thank you very much.
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Quelques photos de la "Soirée spéciale TANKA - poème japonais -" animée par Mariko Kitakubo et son amie Véronique hier soir au Café Lecture Les Augustes. Suite à la belle rencontre entre notre amie Julie Houillon de la librairie Momie et Mariko Kitakubo, une poète japonaise de Tanka (poème japonais formé de 5-7-5-7-7 : 31 syllabes) qui visite Clermont en ce moment, je communique agréablement avec Mariko-san ces derniers jours par messages et téléphone. Cet échange me fait très plaisir en attendant le rendez-vous et enfin, nous avons pu la rencontrer hier soir ! (^v^). La séance a duré 30 mins, nous avons découvert ses poèmes à travers la récitation en trois langues anglais-japonais et évidemment en français grâce à son amie Véronique qui l'a accompagnée.

Sa voix douce mais résolue nous a emmené jusqu'au Japon, Hiroshima et Nagasaki par ses poèmes de prières pour la paix et ensuite nous a permis de partager son voyage au Viétenam et en Afrique, accompagnés de petits instruments de musique traditionnelle qu'elle a joués.C'était un moment bien silencieux des fois, mais aussi très passionnant. Il est difficile d'exprimer par les mots ce que l'on ressent, mais sa séance me rappelait bien la force de ce petit poème japonais de 31syllabes qui nous parle au plus profond de notre cœur. C'était en effet bien Kotodama, mots-âmes qui représentent une partie importante de notre tradition. Cela me rappelait encore notre belle tradition et la beauté de la langue japonaise, mais aussi française et anglaise. Ce temps était magique et très émouvant. Nous avons été heureux d'avoir pu assister à sa séance ici à Clermont (eh oui, comme je vous dis toujours, à Clermont-Ferrand, il y a tout !!, même de belles rencontres que nous ne pourrions jamais avoir au Japon, mais, ici, c'est possible !!). Je remercie Mariko-san pour ce grand partage qui nous a permis de traverser le temps d'hier et d'aujourd'hui l'espace d'un instant et qui nous a aussi permis de traverser le monde.

Mariko-san nous a offet son livre anglais-japonais "Indigo", je me permets de vous présenter son poème "Pur indigo S'installe profondément dans mon coeur Quand je traverse la frontière Je voudrais mourir comme un vagabond."

Encore merci à Julie d'avoir permis cette belle rencontre, et je remercie VV pour ton aide toujours rapide.

Son séjour est trop court, mais, on continue des échanges entre nos deux pays avec grand plaisir en espérant qu'elle reviendra ici pour nous revoir et aussi pour réaliser un projet avec nous par l'occasion. J'ai déjà hâte (*^-^*)

Wednesday, October 11, 2017

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Oct. 7th, I performed reading tanka from INDIGO at Momie Librairie, a bookstore in Clermont Ferrand, France.

I would like to express my gratitude toward Ms. Julie Houillon, who translated my tanka into French, and assisted my performance in reading in French.
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Ms. Brigitte Pellat and Mr. Ikuo Ishida translated other pieces of my tanka from the other sections. I really appreciate your cooperation. Thank you very much.
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Saturday, October 7, 2017

Japanese newspaper, Nihon Keizai Shinbun, posted my interview.
English translation of the article is available below of this page.

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Nihon Keizai Shinbun newspapser, Oct. 2nd issue.
"Culture" section

ECHO IN THE WORLD 31 SYLLABLES

Tanka reading performance overseas to deliver the prosody of historical and contemporary poetry that touches the audiences’ heart.

Mariko Kitakubo

I have been presenting Tanka reading performance in many places around the world. This year makes the thirteenth year for my activity. Visited 33 cities in the United States, Canada, France, Australia, Switzerland, Tanzania and India, I performed 132 times of Tanka reading to date. Although my main motivation is to deliver the beauty of Tanka as well as the profoundness of the sound which the Japanese language has, my activity also has an aspect of "returning the favor to Tanka."

In my performance, I read out twenty to thirty pieces of Tanka, slowly, and sometime refrain words in the poem. I change the vocalization according to the content of the poem, attaching intonation so that the audience can experience the beauty of the sound.

Use musical instruments to create "intervals"

I also use instruments to invite the listeners to a deeper world. A shaker makes sounds like ripples. A rain stick makes a sound reminiscent of rain. Small bells. And, iron-made percussion, "Hamon", which gently vibrates air when it is beaten or rubbed by drumsticks. These instruments are used to create some intervals so that the listeners are able to expand their imagination about the poem.

Most of the time, I perform reading poems from "Manyo-shu" at first, followed by my own Tanka pieces. I would like the audience to feel unchanging sound of the Japanese language even today 1,300 years after the Manyo period. This is the reason why I perform ancient Tanka poetry together with my own Tanka. I would like to deliver the deepness of Tanka to the people who do not understand Japanese.

I perform reading both in English and in Japanese. I change the order of the languages according to the situation. It may be more kind to offer English version first because they are able to understand the meaning of it. However, when I wish them to focus on the sound of the Japanese language, I read Japanese Tanka before its English version.

on the eastern fields
I can see the flames
of morning rise
turning around,
I see the moon sink in the west
(by Kakinomoto no Hitomaro)

When a non-Japanese audience heard this piece of poem written by Kakinomoto no Hitomaro contained in "Manyo-shu". She was so marveled and said, "It sounds as if a piece of music." Standing in the field of morning glow, you look back and find lingering moon - we feel this scene is beautiful regardless nationality.

Painfulness of adult’s love

never until now
in this old life,
when white hairs twine
among the black,
have I fallen into longing like this
(by Sakanoue no Iratsume)

Painfulness and heartrending sadness of adults romance may be another example of feeling which can be understood commonly especially among the aged people.

after hating him
for so long, now imbued
with the longing
of a child with no father
on Father's Day
(by Mariko Kitakubo)

I wrote this piece with my emotion toward my father from who I parted in life. I am deeply impressed when I find non-Japanese person show an empathy toward this sort of my personal emotion.

sounds
of the stream
in my homeland-
Strontium is soaking
into the placenta
(by Mariko Kitakubo)

This is another piece of my Tanka which I selected to convey the sadness of Japanese suffering from unprecedented calamity.

I started Tanka reading performance overseas in 2005. I was invited to the publishing party in Australia and performed Tanka reading when the translator of my anthology published her own book. Compared with Haiku being well known abroad, the recognition of Tanka is low. I simply wanted to convey the charm of Tanka, therefore, I did the reading with full expression. The audience showed favorable reaction toward my performance, and I started receiving requests to do Tanka reading from many different people.

There are many hardships. For example, delicate consideration is required to perform reading Tanka with the theme of conflict in the countries currently in war. When I visited Tanzania, the cultural event, in which I was scheduled to perform some reading, was suddenly canceled. I thought I could not go home without doing anything after all the way to come to Tanzania, I negotiated with a professor in the university and got some opportunities for me to present Tanka reading in class.

Sorrowfulness for the deceased mother

I am willing to go anywhere to present reading performance whenever I have opportunities. In the beginning, I wrote "returning the favor to Tanka", and there is a special and personal emotion attached to it. I grew up in a mother-and-a-child family. She got ill, and passed away in the hospital. While she was in intensive care unit for seventeen days, I was by my mother's bedside, and devoted myself to write Tanka. Writing Tanka was a spiritual support for me at that time.

After she breathed her last, the huge sense of loss made me taste disorder. However, again, it was Tanka that supported me in my tough days. I put my sorrow and painfulness into my Tanka, which helped me a lot to hold myself. And gradually, I was recovered.

To pass on the power that Tanka has is my way to returning the favor to Tanka. Thirty-one syllables are not just the words with meaning. They touch and move the heartstrings of the listeners. At the moment I start reading, my existence disappear and only the sound of words remains - it may be the ultimate form of reading poetry. I believe it is the moment when the emotion in the poetry touches the heart of the listeners. I may not be able to reach such a stage in my lifetime, however, I would like to make efforts to come closer to it.

Photograph: Mariko Kitakubo performs Tanka reading in Storrier Stearns Japanese Garden, Pasadena, California. Shakuhachi, a Japanese bamboo flute, played by Mr. R. Wilson.

Monday, October 2, 2017

Oct. 2, Nihon Keizai Sinbun newspaper will post my interview.

On October 2, Nihon Keizai Shinbun newspaper will post an article about my tanka reading activities overseas together with some photos in its culture section.

The article is three-times more in length than the one in the April 9th edition of Asahi Shinbun "Kadan Haidan" because the reporter wrote it with wider and deeper perspective.

I am extremely grateful, and feel a little bit shy about it at the same time, I will be very happy if you have a chance to read it.

Thursday, September 28, 2017

These three tanka from INDIGO were translated into Kannada by Mr. Shrikaanth K. Murthy, the editor of Blithe Spirit and a great poet who lives in U.K.
Thank you so much for your translation.

cobalt blue
was my favorite
color...
until I could see it
in atomic waste

ಆ ನೀಲಿ
ನನ್ನ ಮೆಚ್ಚಿನ-
ದಾಗಿತ್ತು
ನೋಡುವವರೆಗೆ
ಅಣುಲಹರಿಯಲಿ

ā nīli
nanna meccina-
dāgittu
nōḍuvavarege
aṅulahariyali

 

at the market
among the purple grapes
a few
young green ones
thinking about my son

ಸಂತೆಯಲಿ
ಕರಿ ದ್ರಾಕ್ಷಿಗಳ
ನಡುನಡುವೆ
ಹೀಚುಗಳಿಷ್ಟು
ಮಗನ ನೆನೆಯುತ 

santeyali
kari drākṣigaḷa
naḍunaḍuve
hīcugaḷiṣṭu
magana neneyuta

 

remembering
Father's big hand
I'm searching
for the ginkgo-nuts*
in my soft warm pudding

ಅಪ್ಪನ ಕೈ
ನೆನಸಿಕೊಳ್ಳುತ
ಹುಡುಕುತಿಹೆ
ಗೋಡಂಬಿಯನ್ನು
ಪಾಯಸದಲ್ಲಿ

appana kai
nenasi koḷḷuta
huḍukutihe
gōḍambiyanu
pāyasadalli

*Because of the difference in food culture, Kannada translation ueses cashew nuts instead of ginkgo-nuts.

Tuesday, August 29, 2017

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Amazing moment on the Memorial Day ,Hiroshima...
It was so wonderful experience for me.

It was a scorching hot day. For more than 300 visitors to the event, the museum staff and volunteers, I would like to express my sincere respect.
Thank you so much!
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Ms. Emi Shirasaki, a singer.
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Ms. Kiyoko Horiba, a poet and a Hibakusha in Hirosima.
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Mr. Koyo Kanda, a professional storyteller.
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Japanese drum "Keyaki" by Josaikawagoe junior-high and high school students.
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Mr. Yukinobu Okamura, a curator of the museum. Thank you very much for all the help you have given me.

Sunday, August 6, 2017

Since the event day is approaching, I will let you know again.

For the details, you may want to view the Hiroshima Day's event webpage of Maruki Museum.
Access inforimation, including the shuttle service, is also available in their website.

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Maruki Museum,
Thank you so much for accepting me for the Hiroshima Day's event as a bilingual tanka reading performer.

My dearest friends,
Please come on 6th Aug.2017 , (2 p.m. -- )if you like.

Saturday, July 29, 2017

Two pieces of my English Tanka are posted in the Poetry Corner, theme "Protesting Our Enviroment" in Colorado Boulevard.net.

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Thursday, July 20, 2017

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Bilingual tanka Reading Performance at the Great great Wednesday Poetry Meeting / Kathabela & Rick Wilson's house on 19th July 2017.
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Wednesday, July 19, 2017

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Bilingual Tanka Reading Performance at Kathabela & RickWilson's house on 18th July 2017.
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Tuesday, July 18, 2017

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Bilingual Tanka Reading Performance at the Florence Riford Library Center in San Diego on 16th. July 2017.
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I am most honored to be accepted for this poetry reading event.

Every poets and their performances were so wonderful!
My first experience of San Diego(Actualy it was my first visit to SanDiego!) was AMAZING!
2017_07_16_03.jpg I would like to extend my sincere gratitude to Ms. Seretta Martin, the organizer of this event.
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Sunday, July 16, 2017

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Tanka Reading performance at the poetry meeting in Caltech, Pasadena on 14th July 2017.
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Friday, July 14, 2017

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Bilingual Tanka Reading Performance at the Storrier Stearns Japanese Garden /Pasadena on 13th July 2017.
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Thursday, July 13, 2017

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Bilingual Tanka Reading Performance at Tanka California meeting, Wednesday on 12th July 2017.
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Wednesday, July 12, 2017

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The Bilingual Tanka Reading Performance at Kathabela & Rick Wilson's house for The Tanka Lover Dinner Meeting on 11th July 2017.
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Tuesday, July 11, 2017

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After the meeting, I did one more Bilingual Tanka Reading in Pasadena on 7th July 2017.
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Friday, July 7, 2017

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The Bilingual Tanka Reading at the poetry meeting in Caltech, Pasadena, on 7th July 2017.
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Friday, July 7, 2017

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The tanka reading performance at the Storrier Stearns Japanese Garden Pasadena on 6th July, 2017.
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Thursday, July 6, 2017

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My English tanka poetry was appeared on Ms. Susan Dobay's amazing beautiful art Collection book.

Much appreciated!
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Monday, July 3, 2017

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Tanka reading performance at the Scenic Drive Gallery on 3rd, July 2017
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Monday, July 3, 2017