What's new: Contemprary Tanka Poet Mariko Kitakubo.

What's New. Information on upcoming reading performance, newly issued books and more. Mariko Kitakubo

Mariko Kitakubo Profile

Mariko Kitakubo

Born in Tokyo.
Living in Mitaka-city, Tokyo
Japan Writers' Association,
Japan PEN Club,
Association of Contemporary Tanka Poets,
Japan Tanka Poets' Society,
Tanka Online Project,
Tanka Society of America.

Contemprary Tanka Poet Mariko Kitakubo.

The 84th edition of CHUBU NIHON KAJIN KAI journal posted an information about upcoming my reading performance.  I would like to extend my gratitude toward the society.

On Nov. 3rd, starting at 14:00 till 15:30, I will perform tanka reading and and appear in a talk session.   While performing tanka reading, I will play some ethnic musical instruments to add some sound effects.  I sincerely hope the audience enjoy it.

So far, I did over 150 bilingual tanka reading performances overseas and in international events.  I would like to increase the number of opportunities to deliver my performance to domesitic audience.




Friday, August 3, 2018



Tanka Cafe - the theme: Relantionships

like my son
like my grandpa
and like me,
grandchild likes




Selected Tanka

the deep blue
of an Alaskan sky
then the voice of an aurora
I want to dive
into the universe



Monday, July 30, 2018

The art event, "Animusic Portugal 2018" was held during Jul. 2nd to 7th in Lisbon, Portugal.
In the section of "Atlantic Sunset",which started at 6 p.m. on Jul. 6th, I performed Japanese-English bilingual tanka reading.
It was a great experience for me because I was able to meet expressive performers such as the professors of music universities from all over the world including the communist bloc.
I found out that many of them have interests in short poems, and I would like to thank all of them who listened to my performance.
2018_07_06_06.jpg ANIMUSIC schedule.

ANIMUSIC website.

Friday, July 6, 2018

My tanka will be posted in the August edition of "Einunddreissig"

Ms. Valeria Barouch, the co-editor of literary journal, "Einunddreissig", told me that she is going to post 10 pieces of my tanka in the August edition of Einunddreissig.  The pieces will be translated into German.

I am very glad to hear from her some years after I performed reading in Rorschach, Switzerland in 2015.  Ms. Barouch, thank you very much for your wonderful offer!

Click the URL below to move to "Einunddreissig" website


Tuesday, June 26, 2018

On July 6th, I will perform bilingual tanka reading and introduce tanka at ANIMUSIC art event.  It will be my first performance in Portugal!

As for the details of the event, "ANIMUSIC Oranological Congress 2018", please refer to "Atlantic sunset" section in the website lited below.


Also, please visit their webpage in which my tanka works are introduced.


Wednesday, June 20, 2018

Thank you so much for picking up my new work, the editor of Eucalypt, Julie Anne Thorndyke!





Tuesday, June 19, 2018

Thank you so much for picking up my new work, the editor of Moonbathing, Pamela A. Babusci!





Monday, June 18, 2018

Wonderful moments before the ribbon cutting ceremony...on April 29th 2018.

Mr. Geroge Vallianos, President of Nick Virgilio Haiku Association.

before the ribbon cutting ceremony.

Ms. Bonnie Squires, President of Aquires Consulting.

before the ribbon cutting ceremony.
before the ribbon cutting ceremony.

Father Michael Doyle of Sacred Heart Charch, Camden.
It was distinct honor to join the Nick Virgilio Writer's house's Opening event as a key speaker on 29th, too.
I did the bilingual tanka reading performance.

Ms. Robin Palley, a member of the board of directors of Nick Virgilio Haiku Association.
The title of the sequence was ''Prayer for the future'' which picked up from the section Betelgeuse of my tanka poetry book INDIGO(Shabda Press.).
Thank you so much for enjoying it every audience.

Sunday, April 29, 2018

It was so great experience that I could do the bilingual tanka reading performance for the Opening event of Nick Virgilio Writer's House on April 28th 2018.
I recited the sequence, Nostalgia Vietnam from my tanka poetry book INDIGO published by Shabda Press.
Because Nick Virgilio has the sad memories and experiences of Vietnam.

Saturday, April 28, 2018

I received an invitation to make reading performance at the end of this month in New Jersey, the USA, on the day I returned from Montreal, Canada.  I am greatly honored to be introduced as a key speaker.  I will keep in shape to persent the best performance on the event.

Date & time:  April 29th, at 1 p.m.
Location:  the Nick Virgilio Writers House, NJ, USA.

Please the refer to the sites listed below for the details.

Nick Virgilio Haiku Association facebook page

Nick Virgilio Haiku Association web site


Click the visual below to see the leaflet in larger size!


Monday, April 16, 2018

April 6th, 12:45 p.m. I preformed bilingual tanka reading in order to introduce the Japanese oldest literature at the 6th grade class in Jean Grou at Commission Scolaire Marguerite-Bourageoys, Montreal.

I was very much impressed with their sincere attitude to absorb unknown culture. I feel deep gratitude toward them.
In addition to the introduction of the Japanese oldest literature, we had a time to enjoy Origami. We had a friendly mutual communication, and it was a great experience for me.

I was able to recognize again that the cultural exchange is not something stiff and formal. It is an attempt to shorten the distance of our mind and soul.

Wednesday, April 11, 2018

April 6th, 10:00 a.m. I presented bilingual tanka reading at Jean-Grou at Commission Scolaire Marguerite-Bourageoys kindergarten.

The listeners were 5-year-old children - the youngest class.

They gleamed the adorable eyes and interested themselves in the prosody of the Japanese and seemed to feel the contents from the English text.
We had a time to do some Origami, the Japanese art of folding paper into various figures.

I will be more than happy if this opportunity turns out to be a sweet memory for them to get in touch with the Japanese culture.
When we say good-bye, children hugged me one after another.

Their pure and innocent expression became an unforgettable treasure for me.

Wednesday, April 11, 2018

April 5th, I performed bilingual tanka reading at JCCCM (Japanese Canadian Cultural Center in Motreal) in Montreal, Canada.
There were some people in the audience who are familiar with tanka, and some others are not. However, everyone enjoyed the nostalgic sound and meter of Japanese. It was a great pleasure for me to share the time with them.
 We spent friendly time.
With Ms. Yukari Hazama.  Thank you for your help and cooperation.
With Mr. Osvaldo Rabunal, a guitarist and my best friend Ms. Maria Fernanda Perez Calvo's partner.

Thursday, April 5, 2018

April 5th, at JCCCM (Japanese Canadian Cultural Center)
I really appreciate Ms. Yukari Hazama and all of the local staff's understanding and cooperation to make it happen.

April 6th, at Jean Grou, a school in Montreal, Canada.
I will make presentation of bilingual tanka reading to the young students.
I would llike to thank Ms. Maria F. P. Calvo for sharing the meaning of my activity with me.

Monday, March 26, 2018

Mar. 11, I participated in the spring memorial event of KAGENKI in Hiroshima for the first time in my life.
Having touched with the participants' enthusiasm for anti-nuclear, it was a precious experience for me filled with a sincere prayer.
Mr. Hiroyasu Amase, a writer, with whom I associate in "Writers association for abandoning-nuclear-power society". He helped me a lot to make my participation to the event come true.
I felt a powerful energy in young people's recitation of Tamiki Hara's poems, and in singing voice of boys & girls in Hiroshima.
At the front of the Atomic-Bomb Memorial Dome, by the monument inscribed with Tamiki's poem.
Mr. Kozaburo Nagatsu, secretary-general of the association of KAGENKI, served as the moderator of the session. Mr. Tokihiko Hara, a nephew of Tamiki, talked about the atomic-bomb willow.
Photo by Hideo Miyamoto

Sunday, March 11, 2018

On March 11, I will perticipate in KAGENKI (Mr. Tamiki Hara's memorial) in Hiroshima, and perform reading of Tamiki's poems and my tanka.
I will put my heart and sould into my performance to make prayer.

The report will be uploaded afterwards.

Monday, March 5, 2018

Monthly magazine "CHICHI" posted my interview article in its 2018 April issue.

2018_03_01_02.jpg 2018_03_01_03.jpg 2018_03_01_04.jpg 

        Mariko Kitakubo

I started studying Tanka about 25 years ago when I was in the thirties. Now I travel around the world as a poet & tanka-reading performer, I cannot help but feel the wonder of life. Thanks to many people’s help and assistance, I have been able to present 145 times of reading performance in 34 cities in the world to date, and I composed about 8,000 pieces of tanka.

The reason that I started composing poems was I wanted to send a message to my father from whom I was parted when I was small. However, I found out he had had passed away when I was a highschool student. I completely lost a way to tell my gratitude or apology directly to him. Tanka was one way to express my emotion which had nowhere to go.

Although tanka cannot deliver a lot of things because it is composed of only 31 syllables, it is easy to write down no matter where I was. Because of this, I was able to compose tanka while doing housework and childcare. Literally, tanka came in to my life.



I wrote about my son’s growth with his changing voice. When I wrote about how I felt while raising my son, toughness and joy, I still remember I was very much relieved.

Being different from sports or study, Tanka does not have a clear-cut method to master the technique. Read as many tanka as possible, and experience the emotion by oneself - this is the only way to improve poet's skill. Luckily enough, I had an opportunity to be under Mr. Yukitsuna Sasaki’s tutelage. Mr. Sasaki preside over “Kokoro-no-hana”, a tanka organization with more than 110 years of history. His tanka is filled with masculinity and strength. I learned a lot from his works – energy, sensitivity, and so on.

In 2002, one of my fellow tanka poets invited me to a tanka-reading event, “Marathon Reading”. After this, I went into tanka - both writing and performing reading - more and more.

I happened suddenly. My mother passes away in the following year. I fell into deep sorrow because I was not able to share my feeling with anyone else - most of my relatives were deceased and I was a only child in the family.

Again, it was tanka which supported me in those days. While I write tanka, I felt being relieved of my worries. It was like passing my sorrow and trouble from deep inside my heart to poem I create. Let me introduce you the pieces I wrote in those days.




Although I was temporary suffered from taste disorder due to overfatigue and severe stress after my mother’s death, I had kept writing tanka as if breathing, and I was able to overcome dysgeusia without any medication and regained mental vitality. I, myself, both physically and mentally, experienced the healing power that tanka has.

I published an anthology, “WILL”, which is composed of the pieces with my affection to my mother. In 2005, an Australian writer, who empathized for “WILL”, translated my tanka into English. She invited me to her publication party, where I was given an opportunity to perform tanka reading. It was my first reading performance overseas. The emotion we experience at death of the parent is universal. We all share the same feeling no matter where we are born. I received many comments with empathy.

At the same time, I found out that there are many non-Japanese people who learn tanka without experiencing 5-7-5 meter. I wanted to deliver the beauty of tanka as many people as possible. This is the reason why I started bilingual tanka reading performance. In those days, there was no Japanese person doing this kind of activity overseas, therefore, everything was try and error.

I was able to make myself understood in English at that time, however, I faced a lot of difficulties because of the language barrier. American English, British English, and unique pronunciation or phrases in different areas, and so on. The purpose of my activity is to deliver the undulation of emotion in tanka through my reading performance. Therefore, I have always been trying to find the best way to communicate with the people wherever I went.

Language was not the only barrier I faced. Two years ago, I was scheduled to perform tanka reading at an event in an African University. However, I arrived there only to find the cancellation of the event. “Well, having been in Africa anyway, there should be something I can do,” I thought. Luckily, I was introduced to two professors there, and had given opportunities to perform bilingual tanka reading in their faculties – two times in total!

If the event have had taken place as scheduled, I would have had perform reading only one time. And, I had no idea how many people would come to the event. My action led me to the better result. When facing a difficulty, even if the situation seems to unfavorable, a step move forward may turn out to be favorable outcome. I believe in it from the bottom of my heart.

Tanka reading performance is fascinating because the emotion seeded in tanka is released to the venue and touches the heartstrings of the people, who all share the same emotion. In order to better express the atmosphere that each piece of tanka has, I use some unique musical instruments such as rain sticks, which makes a rain-like sound, and Hamon - an iron-made percussion instrument – that makes beautiful sound. I am gladly tell you that some of the audience told me, “I do not understand the language, but your performance moved my soul very much.”

Being a tanka poet and a performer of tanka reading is a worthwhile job, and I wish I could have the same job if I reborn in the life to come. The lifetime of a human is a lot shorter than that of tanka, therefore, I would like to deliver the beauty of tanka as many people as possible as long as I am able to continue this activity.

Tanka has been helping me to live my life peacefully without suffering from any sever illness. I would like to strive for my activity even more from now on so that I can return favor to tanka for its support to me.


To move to Monthly "CHICHI" magazine, click the link below.

Thursday, March 1, 2018

"Blithe Spirit" - the British Haiku Society's Journal - posted my tanka in its volume 28, Number 1.

I am very happy about it, thank you very much, Mr. Shrikaanth K. Murthy.




of child and father
a rosary
around and back
to the beginning

Wednesday, February 28, 2018

Mr. Rick Wilson took some photos at the Fujisan Award ceremony held in the Nihonbashi Gekijo Hall on Feb. 10, 2018.
It was a great honor for me to be offered by the organizer to be a translator for Ms. Kathabela Wilson, my best friend for over 12 years, who won the most excellent English tanka award. I am happy if I can be of any help.
On the stage of "Fujisan Award."
With Mr. Nobuhiko Higashikuni, the president of the award committee.



Monday, February 19, 2018


Click the url below to move to the latest edition of Monthly Magazine "WENDY".



Below is the translation of the article.


Mariko Kitakubo
Tanka Poet & Reading Performer


It was in 2005, almost 12 years have passed since I started composing TANKA, I decided to introduce TANKA overseas by my reading performance. This year is the 13th year of my bilingual TANKA reading performance activity overseas, and I did 134 sessions so far.

It was my anthology, "WILL", that brought me an opportunity. It is my third anthology which I compliled to memorialize my deceased mother, who raised me as a single parent and passed away suddenly due to subarachnoid hemorrhage. Ms. A. F., an English poet in Sydney, was deeply impressed with it, and asked me to perform tanka reading at her publication party.

September 2005, my first TANKA reading performance finished with a very big applause of audience in Canberra, Australia. One beautiful elderly lady come to me and told me, "the language of your country sounds so beautiful as a piece of music!" I have never had such an idea until she told me so. Her comment gave me a delightful suprise, and have been motivating me to continue my bilingual reading performance activity. Even those who have interest in the Japanese literature are able to touch upon MATSUO BASHO or MASAOKA SHIKI only through translated versions. Why don't I deliver the Japanese unique sound and meter which has been succeeded over thousands of years! I made up my mind at that time.

One wonderful encounter brought me another. In 2006, I received an offer from Canada, and in 2007 from America. So far, I presented my bilingual TANKA reading in 34 cities in 7 countries - Australia, Canada, America France, Swizzerland, Tanzania and India. (As of October, 2017)


My bilingual TANKA reading is composed with about 30 pieces of Japanese poems, all which have universal themes that anyone can empathize regardless nationality, religion, age or gender. I read them in Japanese and in English, taking the appropriate time while playing sound instruments by myself. Usually I select poems of elegy and love from MANYO-SHU, as well as my own piece which pray for the world's peace.

never until now
in this old life,
when white hair twine
among the black,
have I fallen into longing like this
(Ootomono Sakanoueno Iratsume, MANYO-SHU)

of the stream
in my homeland---
Strontium is soaking
into the placenta
(M. Kitakubo, INDIGO, the sixth anthology)
*the piece written after the nuclear power plant accident)

My eternal goal is to depart from "individual" of being myself and to become a "medium" to convey ideas from soul to soul. I would like to make continuous efforts to deliver the words breathed life to the audience.


I believe that TANKA has a power to sublime negative emotions such as pain and sorrow, and to heal the person who writes it. Beause of this power, I was able to hold myself together for the last 17 days until my mother passed away. She fell down suddenly and turned into vegetative state. I sat down at my mother's bedside, and kept writing TANKA day in and day out as if breathing.

on a chilling morning
I realise that
for my mother
there will be
no next summer
(M. Kitakubo, WILL, the third anthology)

are they overflowing
with things she wishes
she could tell me ---
my mother's tearfull eyes
after more than ten days asleep
(M. Kitakubo, WILL, the third anthology)

I did all the procedures needs to be done after my mother is gone by myself. Of course, all of them had certain leeway until the due date, however, there were many documentations I had to process. I had no time to rest and struggled with papers. Literally, there was no time for cring.

After a while, I finished all the procedure. I took a breath, and remembered I had not been eating anything from the morning. I dropped by at an archaic Japanese noodle shop and ordered ZARU-SOBA. Although the sauce for soba noodle was dark enough, it tasted as light as consomme soup. The other customers looked satisfied with the food. They enjoy their meals while happily talking with accopanying persons. I was tired, and I did not want to bother with complaining about the taste to the shop-person, therefore, I added extra soy sause to adjust the flavor. When I almost finished my meal, I realized that it is not the shop, but me, that had trouble. I was suffering from taste disorder.

Since then, I have been trying to take rest consciously, and spending time by creating poems with the emotions piling up in my mind. Fortunately, my taste disorder did not last long. It was TANKA which supported me all the time. It can be said that I am returning a favor to TANKA by travelling alone and introducing TANKA overseas.

five years now
since I sat there
with late mother
supping on noodles
flavored with citron
(M. Kitakubo, INDIGO, the sixth anthology)


Not to insist on my own ideas, but try to adapt myself to others. It is my belief. If I become too self-assertive overseas, people may feel not only myself but also TANKA is something self-centered and pushy.

Sometimes I encountere with the situation which require extra efforts. In many countries, my reading performance in English is understood as is. However, in the area in Switzerland bordering to Germany, I had to change the pronunciation particular to the area. Much patience was required, to be honest, but there was no other choice. There is no meaning to perform TANKA in English unless they understand.


In April two years ago, I visited Tanzania after 15 years. I was invited to the event to introduce Eastern Asian Culture held in Dodoma University in the capital.

I fell into the unforeseen situation two days after I arrived in Tanzania. I received a cancellation notice of the event when I was in Dar es Salaam waiting for a flight to Dodoma on the following day. Well, that' life. Unexpected things may happen during travelling, regardless good or bad. It's no use resenting. I departed to Dodoma, anyway.

Ms. S, a Japanese teacher at the university, who bridged between the university and me, apologetically made a bow to me. It was not her fault. We exchanged the greetings of our first meeting with smile, and discussed what we could do. "It's kind of rare to see two Japanese ladies here. Are you planning something fun?" A tall, agreeable young gentleman talked to us at the door. He is Mr. M, the professor of literature of the university, and a friend to Ms. S. When we explained about the circumstances, he said to me, "If it is okay with you, could you perform bilingual TANKA reading in my class tomorrow morning?" Of course, I agreed to his offer right away. Right after Prof. M. left us, Prof. L of linguistics dropped by. "Did something good happen?", he said and gave me an offer. "Could you introduce 'TANKA' in my workshop the day after tomorrow?"

What an unexpected development! If the event had taken place as scheduled, I hadn't been able to meet these two Professors. It was literally a good fortune for me to have had opportunities to introduce TANKA to many young generation in Dodoma. Inscrutable are the ways of Heaven. If I did not go to Dodoma after receiving the cancellation notice of the event, I would not have had this good fortune.

I would like to keep gratitude to others always in my mind, and continue to seed TANKA all over the world.

pure indigo
settles down in my heart,
when I cross the border...
I would like to die
as a wanderer
(M. Kitakubo, the sixth anthology, INDIGO)

intently flowing
the river empties
into the sea,
its mouth like a border
between life and death
(M. Kitakubo, the sixth anthology, INDIGO)

Thursday, February 15, 2018